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Most-read are based on citations from 2023 ~ 2025.

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Fashion Semiotics: State of the Art
José María Paz Gago
EPISTÉMÈ 2025;34:1.   Published online June 30, 2025
DOI: https://doi.org/10.38119/cacs.2025.34.1
Once the failure of classical fashion Semiotics (1960-1980) was certified, as it conceived the fashion phenomenon as a system devoid of meaning (Barthes), incapable of communicating (Lotman) and unbearable (Volli), the great designers and marketing strategists began a new period, that of the Pragmatics of Fashion (1980-2000), committed to resemiotizing the system by resorting to prestigious referents for their collections (the history of art and culture) and to the brand, defined as a hypericonema loaded with powerful literal, imaginary and psycho-emotional meanings (Paz Gago). This stage of fashion semiotics is described by Floch and Calefato, scholars of fashion brands as written text, since it is the proper name of the great fashion designers that has become a brand. Both agree on the need to move beyond the more linguistic stage of the discipline to develop a visual semiotics or a plastic semiotics that serves to analyze fashion as an essentially visual phenomenon. With the new millennium, in line with the new digital technologies that colonize and are colonized by fashion, the Neosemiotics of fashion (2000-2020) emerges, mediated by the stories and reels uploaded to social networks such as Instagram or TikTok, as Bianca Terraciano or Victoria Nannini will analyze. Fashion semiotics faces a new challenge today due to the emergence of Artificial Intelligence, which has already colonized all processes in the fashion system: design creation, pattern making, manufacturing, advertising and marketing campaigns, fashion shows, distribution, and marketing can all be implemented through generative Artificial Intelligence applications. These new technological phenomena respond to the semiotic mode I have called Machination, as opposed to the Representation and Simulation characteristic of classic analog and digital technologies.

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  • Semiotics of the Manila Shawl (mantón de Manila): From Historical Transformations to its Present Identity Function
    Ana Velasco Molpeceres, Carmen Baniandrés, María Prieto Muñiz
    EPISTÉMÈ.2025; 35: 2.     CrossRef
  • 2,799 View
  • 66 Download
  • 1 Crossref
As a representative brand of French fashion, Chanel not only facilitates the transformation between objects and signs in the production of fashion value, but also contributes to the construction of fashion consensus by offering rich interpretations and representations. In this process, female brand ambassadors play a pivotal role, serving as a crucial bridge between the brand and its consumers, while also functioning as key agents in the external communication of brand culture. This study takes Chanel’s female brand ambassadors in the Chinese market as a case, employing a semiotic analytical approach to examine how these ambassadors contribute to the construction of contemporary femininity marked by diversity and uniqueness. It further analyzes the Western brand’s imagined representations of Eastern women within a cross-cultural context, uncovering how Chanel utilizes Chinese female brand ambassadors to convey distinctive images of femininity, and explores the communicative pathways through which emotional resonance is established with Chinese consumers. This paper offers a new perspective on understanding the significance of women in the fashion industry and their cultural implications, while also providing theoretical support for the construction of female representations by brands across diverse cultural markets.
  • 2,798 View
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Korean dramas (K-dramas) have emerged as powerful cultural artifacts that not only entertain but also shape societal perceptions of Fashion, body image, and identity. Fashion in K-dramas operates as a semiotic medium of cultural storytelling, weaving together traditional Korean heritage with contemporary global trends. These audiovisual narratives play a crucial role in constructing and circulating culturally specific ideals of beauty and bodily norms. This article investigates how Fashion and body image are represented in K-dramas and how these representations are interpreted across different cultural contexts. Through a semiotic lens, it explores the mechanisms by which K-dramas mediate notions of identity, desirability, and belonging, revealing the tensions and harmonies between local traditions and globalized aesthetics.
  • 2,218 View
  • 25 Download
The Evolution of Socio-Cultural Clothing Codes and Their Impact on Contemporary Fashion in Iran
Marzieh Athari Nikazm, Sohrab Ahmadi
EPISTÉMÈ 2025;35:5.   Published online September 30, 2025
DOI: https://doi.org/10.38119/cacs.2025.35.5
The Achaemenid Empire, which flourished from the 6th to the 4th century BCE, is known for its diverse and sophisticated cultural practices, particularly in terms of clothing. The Achaemenid period saw a complex system of dress codes that signified not only social status but also cultural and ethnic identity. Clothing in this era was characterized by richly adorned garments, often made from fine fabrics like wool and linen, with intricate patterns and colors. The aristocracy wore elaborate costumes, such as the "kandys," a long, flowing robe, while commoners had simpler attire. These clothes were used as symbols of power, ethnicity, and allegiance to the ruling elite. With the fall of the Achaemenid Empire, Iran's clothing codes evolved through successive historical phases, but the influence of the Achaemenid era remained significant in the cultural fabric of the region. Islamic and later dynasties introduced new attire styles, yet they often incorporated elements from earlier Persian traditions. Our problematic is: "How have the socio-cultural clothing codes of the Achaemenid era evolved over time, and what is their impact on contemporary fashion in Iran?" This problem explores the historical transformation of Persian clothing styles from the Achaemenid period to the present day, focusing on how these ancient codes have influenced modern Iranian fashion, especially in the context of cultural identity, social status, and political change. In contemporary Iran, the socio-cultural codes of dress have undergone significant transformations due to political and religious influences, particularly after the 1979 revolution. While modern Iranian fashion is heavily shaped by Islamic principles, there has been a resurgence of interest in pre-Islamic Persian history, including Achaemenid styles. Contemporary Iranian designers are revisiting Achaemenid motifs, using them to create a fusion of traditional Persian designs with modern sensibilities. The modern reinterpretation of these ancient dress codes serves not only as a form of cultural expression but also as a statement of national identity and resistance to Western influence. Thus, the legacy of Achaemenid fashion continues to shape Iranian clothing codes, bridging the ancient and contemporary through a blend of cultural pride and modern creativity.
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AI and the sacred: an anthropological approach
Emmanuel Carré, Pascal Lardellier
EPISTÉMÈ 2025;33:7.   Published online March 31, 2025
DOI: https://doi.org/10.38119/cacs.2025.33.7

This two-part article analyzes the ancient and mystical origins of artificial intelligence (AI). First, it explains that AI has precedents in mystical thought and finds relevance in certain anthropological concepts. Next, we'll look at how ancient philosophy has helped to explain in advance the way in which we - and in particular students - use artificial intelligence as a “mental orthosis”.

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Grammatology in the Era of Digital Writing
Hidetaka Ishida
EPISTÉMÈ 2025;33:4.   Published online March 31, 2025
DOI: https://doi.org/10.38119/cacs.2025.33.4

This paper investigates Jacques Derrida's notion of grammatology in the context of contemporary digital writing technologies. It critically reassesses Ferdinand de Saussure’s linguistics and his concept of phonocentrism, underscoring phonography’s underestimated role in shaping the epistemological foundations of linguistics. Introducing original concepts such as the "logographic hiatus" and "grammatological polyphony," the paper challenges the limitations inherent in alphabetic linearity, particularly through the analysis of logographic writing systems like Chinese. Drawing on recent advancements in cognitive neuroscience, notably Stanislas Dehaene’s Neuronal Recycling Hypothesis, the paper proposes a neuro-grammatological framework. It argues that the human brain repurposes pre-existing neural circuits for reading, aligning visual symbols with ecological and neurological constraints. Further, the study addresses Derrida’s concept of "Mondialatinisation," examining the implicit cultural hegemony perpetuated through Latin-alphabet-based digital input methods (e.g., Romaji, Pinyin). This critical analysis highlights the subtle yet profound epistemological and cultural implications of imposing phonocentric and alphabetic models on traditionally logographic languages. Finally, the paper underscores the unresolved civilizational tensions emerging from the digital transformation of writing, emphasizing the urgent need for interdisciplinary dialogue bridging linguistics, semiotics, neuroscience, and cultural studies

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Le rôle de la musique dans les réseaux sociaux
Samuel Mayol
EPISTÉMÈ 2023;29:299-322.   Published online June 30, 2023
DOI: https://doi.org/10.38119/cacs.2023.29.14
Over the past decade, social networks have become ubiquitous in our daily lives, transforming the way we interact, communicate and share information (Kaplan and Haenlein, 2010). Today a majority of French people have a sustained and regular presence on social networks. At the same time, music has always been an essential part of human culture, arousing emotions and memories, and influencing our tastes and preferences (Holbrook and Schindler, 1989). Through an in-depth review of the existing literature, we seek to understand what factors influence users' engagement with music on social networks.

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  • Du Tempo au Big Data : la symphonie du Marketing 6.0
    Samuel Mayol
    Question(s) de management.2023; n° 47(6): 89.     CrossRef
  • 741 View
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Articles

Machination: Semiotics of IArt. Dance and Artificial Intelligence
José María Paz Gago
EPISTÉMÈ 2025;33:3.   Published online March 31, 2025
DOI: https://doi.org/10.38119/cacs.2025.33.3

Multimodal generative Artificial Intelligence is an omnipresent technology in our post-industrial societies, as it has penetrated all areas of daily life, from social and commercial relations to the various fields of science and industry, communication, leisure and culture in general. This is to discuss whether AI is applicable to the field of artistic creation in general and to bodily arts such as dance in particular, taking into account emotional sensitivity and creativity, factors that are difficult to generate by a machine. In this article we will discuss examples of corporal artistic manifestations, in the domain of dance, in which corporality itself is called into question in the face of these interactions with humanized bodies conceived, created and “brought to life” by the magic of generative AI. The learning models developed by different Artificial Intelligence software allow these bodies to dance, model or evolve in scenographic spaces created ad hoc and shared to the point of replacing real dancers.

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The signs of Brazilian fashion in Dorival Caymmi's Bahian songbook
Bruno Pompeu, Clotilde Perez
EPISTÉMÈ 2025;35:4.   Published online September 30, 2025
DOI: https://doi.org/10.38119/cacs.2025.35.4
The aim of this text is to explore conceptually, within the specific spectrum of song, the possible approximations between fashion and literature. In addition, it aims to reveal the meanings attributed to certain items of clothing in Dorival Caymmi's work; and, as a consequence, to propose a reflection on the participation of the fashion system, clothing, material culture - and consumption - and the song itself as constituent, defining and dynamising elements of Brazilian culture. To this end, we began with a conceptual overview of the symbolic relationships between music and literature, followed by an analysis of the songs ‘O que é que a baiana tem?’, ‘Vestido de bolero’, ‘Requebre que eu dou um doce’, “Maracangalha” and ‘A vizinha do lado’. The analyses were able to highlight the dense meanings of fashion and its privileged place in the formation of the Brazilian imagination, as well as being a source of inspiration in artistic, musical and literary productions.
  • 657 View
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기타인문학

This article offers an initial sketch of a model, semio-pragmaticism, whose ambition is to enable communication studies to be (re)founded on a common paradigmatically pragmatic and operationally semiotic foundation. Beginning with a review of various currents of thought in CIS and related disciplines that share this pragmatic concern for (re)placing the (communicational) subject at the center of the analytical approach to communication, I propose, on this basis, a fundamental synthetic model of communication conceived from and for the understanding of the communicational subject as the necessary and sufficient yardstick for the understanding of communication.

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    Articles

    This paper aims to look into possibilities of future writing in the age of artificial intelligence. ‘Who writes’ matters in a technological culture of co-existence of humans and machines. I thus investigate the aligned questions of ‘why we write’ and ‘how we write’, exploring writing with imagination, namely, narrative writing, for communication and transmission. As for methodology, I examine three domains of narrative with imagination based on Peirce’s metaphysical semiotics and Paul Ricoeur’s imagination theory: esthetics with oneiric imagination, poetics with narrative/analogical imagination, and speculative rhetoric with social imagination. I argue that narrative communication with social imagination which comprises an explanatory narrative process of quality through fact to representation for dialogic abduction is geared toward discovering self’s identity by means of re-authoring conversation. This thus results in enhancing a communal narrative self to transmit virtues and values to the following generations.

    • 565 View
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    Interculturalities in the Digital Age
    Alexander Frame
    EPISTÉMÈ 2025;33:1.   Published online March 31, 2025
    DOI: https://doi.org/10.38119/cacs.2025.33.1

    The digital age, with its ubiquitous social media, has transformed sociability and socialization, creating opportunities for accessing diverse knowledge, but also new symbolic boundaries. In a connected society shaped by identity politics, this article proposes an intercultural reading of social tensions relayed online. It advocates an interpretive approach to intercultural communication, understanding cultures and identities as resources individuals use to negotiate and co-construct meaning in interactions. Based on examples of social tensions relayed or seemingly aggravated by digital media, it distinguishes two forms of interculturality in this context: "forced otherness," where individuals are reduced to stigmatized identities, and "unconscious otherness," where algorithmic personalisation is used by individuals to support particular worldviews on given topics. The article draws on theories of conflict mediation, identity, and intergroup relations to analyse and potentially mitigate social tensions in the digital age, emphasizing the need for media literacy and a nuanced understanding of intercultural dynamics.

    • 557 View
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    A Cognitive Linguistic Framework for Multimodal Metaphors in the Graphic Novel Maus
    Eugene Chung
    EPISTÉMÈ 2025;35:6.   Published online September 30, 2025
    DOI: https://doi.org/10.38119/cacs.2025.35.6
    This study develops a cognitive linguistic framework for analyzing multimodal metaphors in graphic novels, with a focus on Art Spiegelman’s Maus. While research on multimodal metaphor has advanced significantly in domains such as advertising, film, and political cartoons, graphic novels remain comparatively underexplored and are often examined primarily as trauma narratives. This study addresses that gap by proposing a replicable framework that identifies four principal units of analysis - visual motifs, verbo-pictorial interactions, layout, and sequential structures - and classifies them in relation to established levels of linguistic metaphor analysis. The analysis demonstrates that multimodal metaphors in Maus fulfill three interrelated narrative functions: they represent trauma and emotional experience as affective interiority, reveal power asymmetries through ideological critique, and structure memory and temporality through sequential and spatial design. By integrating insights from cognitive linguistics and comics studies, the article extends Conceptual Metaphor Theory into the domain of graphic novels. The framework not only illuminates how Maus realizes complex figurative meanings across visual and verbal modes but also provides a methodological foundation for future research on multimodal metaphor in long-form narrative media.
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    Artificial Intelligence in Healthcare: A Holistic Approach for Successful, Human-Centered Implementation
    Emmanuel Carré, Marjorie Garofalo
    EPISTÉMÈ 2025;33:6.   Published online March 31, 2025
    DOI: https://doi.org/10.38119/cacs.2025.33.6

    The integration of Artificial Intelligence (AI) in the healthcare sector represents a major transformation that raises complex issues concerning the technical, organizational, and relational dimensions of the profession. This contribution analyzes the key success factors and obstacles to the implementation of AI in healthcare facilities, adopting a holistic perspective that emphasizes communicational and interprofessional dynamics. Through an analysis of recent literature, we identify promising approaches and necessary conditions for successful AI integration, while preserving the quality of caregiver-patient relationships and interactions among professionals. Our analysis reveals that successful implementation relies on a balanced combination of leadership, end-user training, support for teams in modifying their daily work, and ethical governance. The central role of communication in this transformation process is emphasized, both in change management and in the adaptation of professional practices. We propose recommendations that integrate these different dimensions to guide the development and implementation of AI projects in healthcare, focusing on preserving and enriching human relationships within healthcare organizations.

    • 444 View
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    Semiotics of the Manila Shawl (mantón de Manila): From Historical Transformations to its Present Identity Function
    Ana Velasco Molpeceres, Carmen Baniandrés, María Prieto Muñiz
    EPISTÉMÈ 2025;35:2.   Published online September 30, 2025
    DOI: https://doi.org/10.38119/cacs.2025.35.2
    This article examines the Manila shawl (mantón de Manila) as a semiotic object in motion, whose trajectory—from Chinese silk to contemporary Spanish fashion—offers insights into processes of cultural hybridization, early globalization, and identity re-signification. Through a historical and semiotic analysis, it highlights how the material transformations of the shawl (embroidery, colors, fringes, uses) correspond to shifts in its symbolic value: from colonial exoticism to national myth, from festive accessory to costumbrista emblem, and from traditional garment to a key resource within the cultural and fashion industries. The study also includes contemporary examples (Juana Martín, Palomo Spain, Rosalía, Queen Letizia), showing how the shawl articulates tradition and modernity, authenticity and market, nationalism and cosmopolitanism. In conclusion, the Manila shawl is not only a hybrid object but also a sign in constant re-signification, a cultural “super-iconeme” that condenses collective imaginaries while maintaining its relevance in the 21st century.
    • 407 View
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    Dressing the sign: Semiotic analysis of attire and fashion in the Universe of Tintin
    Marina Bargón García
    EPISTÉMÈ 2025;35:1.   Published online September 30, 2025
    DOI: https://doi.org/10.38119/cacs.2025.35.1
    This article examines clothing in The Adventures of Tintin from a semiotic perspective, considering dress as a system of signs embedded in the visual logic of comics. Building on Pierre Fresnault-Deruelle’s pioneering studies (1976, 1999, 2002, 2006, 2012) and later contributions by scholars such as Groensteen, Marion, and Floch, the analysis explores how the aesthetics of the ligne claire transform garments into both narrative and symbolic operators. The results identify seven functional categories of dress—core attire, everyday wear, professional/functional outfits, disguises, cultural costumes, ceremonial garments, and altered clothing—which serve as identity anchors, indicators of action, or markers of cultural otherness. Tintin’s consistent base attire ensures visual coherence, while subtle variations introduce narrative nuance and contextual adaptation. The study concludes that clothing in Hergé’s work is far from decorative; it functions as a central semiotic device whose stability and transformations reinforce the character’s iconicity and his status as a timeless cultural hero.
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    This paper explores the semiotic significance of attire in Hulu's series The Handmaid’s Tale, examining how clothing functions as a tool of power and control within the series. It further investigates the role of uniforms in contemporary society and draws parallels between modern fashion practices and subtle forms of repression and power exerted over women. By analyzing the interplay between fashion, power, and gender, this study aims to highlight the enduring impact of clothing as a medium of socio-political expression and control.
    • 379 View
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    Semiotics of Fashion: Desire and Resistance, All Things Considered
    Giulia Adriana Ceriani
    EPISTÉMÈ 2025;34:2.   Published online June 30, 2025
    DOI: https://doi.org/10.38119/cacs.2025.34.2
    This reflection aims to explore the foundations, limitations, and necessity of fashion semiotics, beyond the inertia that still binds it to a mere reinterpretation of Barthesian legacy. On the contrary, fashion semiotics reveals its compelling and contemporary relevance when it is considered in light of the explanatory power granted to a language too often relegated—for commercial reasons or societal conventions—to a marginal or reductionist role, rather than being acknowledged as an active part of present-day expression in all its forms. These include, notably, gender relations, political implications, the dynamics of possible and impossible relations in the context of digital interfaces, the dialectic between conjunctive tensions and the condemnation to disjunction. Desire and resistance will be the two key terms guiding us through this unaligned reinterpretation.
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    The body as text: language and fashion
    Patrizia Calefato
    EPISTÉMÈ 2025;34:5.   Published online June 30, 2025
    DOI: https://doi.org/10.38119/cacs.2025.34.5
    This paper focuses on the relationship between fashion, language and the body. We refer to two theoretical starting points: Lotman's definition of language as a “primary modelling system”, and the relationship, identified by Barthes, between “real” and “written” fashion. The paper studies this relationship within four fields: the performative power of brands, the “playful” role of writing on T-shirts, the function of the written language in some examples of contemporary fashion, tattoos and permanent body modifications between writing and fashion practices.
    • 363 View
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    The Advent of AI Civilization and Calling for a New Conception of the Human
    Mun Cho Kim
    EPISTÉMÈ 2025;33:5.   Published online March 31, 2025
    DOI: https://doi.org/10.38119/cacs.2025.33.5

    This study explores the advent of AI civilization and the need to redefine humanity in the face of rapid technological advancement. Tracing the evolution of digital technology from simple automation to intelligent agents capable of independent decision-making, it turns out that the rise of AI and humanoid robots blurs the line between humans and non-humans, challenging the long-standing human-nonhuman dichotomy rooted in Western philosophy. Based upon the examination of the shifts in ontology, from Cartesian dualism to monistic and relational perspectives, this study suggests that humans, living beings, and objects are evolving in a connected, co-dependent system. The emergence of cyborgs, AI, and bioengineering raises critical question about the identity of the humanity. With AI and enhanced humans gaining agency, traditional definition of humanity become obsolete and demand for an extended concept of the human in the post-AI era is growing.

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    기타인문학

    Culture, which can be defined as the lifestyle of a nation, is the sum and whole of social experiences and learning. Considering the connotations of the concept of memory such as storage and preservation, it is possible to say that cultural memory provides the continuity of cultural elements in an impersonal area. Cultural memory, with its dynamic structure, includes actions such as “recollection, ‘repetition’ and ‘reviving/keeping alive’ in ensuring the continuity of cultural elements. Literary texts from oral culture to written culture often include these actions by fulfilling a formant function. Therefore, considering literary texts as reflection areas of cultural memory and making analyzes on cultural elements and symbols is one of the text analysis methods. In Turkish culture, ‘horse’ is an important cultural element. As a result of the living conditions brought by the steppe culture in the Turks, the ‘horse’ has become an important part of life and has become one of the main figures of cultural memory in relation to many emotions, thoughts and dreams. Even the existence of many idioms and proverbs about horse in Turkish alone explains the place of horse in cultural memory. Also, horse is one of the cultural symbols that is repeated in many oral, written and visual texts and in various branches of art, and remains alive as it is repeated. Faruk Nafiz Çamlıbel (1898-1973) used horse allegorical in relation to the Turkish nation in his poem called At (The Horse) (1919), which he wrote during the War of Independence, one of the milestones in Turkish history. In the poem, the horse appears with a symbolism that represents the Turkish nation and the ‘independent’ character of the Turkish nation with references to the historical conditions of the First World War (1914-1918) and War of Independence (1919-1923). In this context, in this study, poem called The Horse of Faruk Nafiz Çamlıbel is considered as a cultural memory area and horse is examined as a ‘cultural symbol’. The image of horse drawn in the poem is examined in historical and socio-cultural dimensions and evaluated in the context of the place of horse in Turkish culture.
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    Article

    Aesthetic Perception in Modem Turkish Poetry: Groups, Communities and Movements 1850-1923
    Mustafa Özsari
    EPISTÉMÈ 2024;31:1-16.   Published online September 30, 2024
    DOI: https://doi.org/10.38119/cacs.2024.31.1
    The term modern Turkish poetry is a general term given to the understanding of poetry that developed in Turkey, starting with the four (Kaside) odes that $inasi wrote after returning from Paris to describe Re§it Pasha who is Grand Vizier (1850-55) and his reforms, and until the declaration of the Republic of Modem Turkiye in 1923. The poetry of this period is also called new Turkish poetry, Turkish poetry of the modernization period, modem Turkish poetry, poetry developed under Western influence, etc. Many researchers have been suggested under different names about this period. But today, Turkish literature historians call this period Modem Turkish literature. There are 6 basic groups, communities and movements in modem Turkish poetry. These communities or movements have developed under the influence of different aesthetic understandings. The basic philosophical and aesthetic understandings that developed in Europe since the beginning of the European Enlightement Era have also influenced modern Turkish poetry. While the Namik Kemal-Ziya Pasha-Shinasi school followed the rationalist aesthetic approach, the second generation of Tanzimat adopted Immanuel Kant's aesthetic authonomy. While the commities of Servet-i Fünun's representatives adopted young Hegelian aesthetics, which developed in Germany in the second half of the 19th centry, Fecr-i Ati adipted the Nietzschean phonecentric aesthetics. In this respect, the philosophical and aesthetic tendencies that develop in Europe, especially in the nineteenth centry, also guided modem Turkish poetry. In this article, the basic trends in Turkish poetry that developed between 1850 and 1923 will be analyzed in a descriptive way, taking into account aesthetic and philosopic tendencies.
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    Musique, Viralité et engagement dans les réseaux sociaux
    Samuel Mayol
    EPISTÉMÈ 2023;30:23-44.   Published online December 31, 2023
    DOI: https://doi.org/10.38119/cacs.2023.30.2
    Music on social media is a relatively new area of research. After examining the concept of engagement (Mayol, 2023), the concept of virality seems to be directly related. This research article aims to explore and analyze the role of music in social networks, with a focus on connections in virality and engagement. By thoroughly reviewing the existing literature, we hope to understand the characteristics of viral music tracks and how they are shared and spread.
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    기타인문학

    The values that people reveal in the process of change and transformation can be defined as culture in particular and cultural heritage in general. In terms of preserving cultural assets and passing them on to future generations, the concept of "cultural heritage" is essential. Having ancient values dating back thousands of years, Anatolian geography has hosted many social groups in the socialization process. The Ahi organization, a socioeconomic order where fraternity, honesty, and benevolence are all integrated, has long guided the transmission of cultural legacy and allowed Anatolians to develop their talents in the arts and professions. The Ahi craftsmen ensured the continuation of their profession and passed on the traditional knowledge created by society to following generations with the help of the professional organization that was established under the direction of Ahi Evran. The Ahi organization has common approaches with UNESCO's Living Human Treasures Program in terms of its professional principles and methods. The main purpose of both practices is to transfer the values, philosophy, and nuances of the profession to future generations. In this sense, it is possible to assess traditional craftsmen as actors and actresses who serve society and keep the tradition alive. The identification and promotion of the local actors and actresses, who are the living carriers and developers of traditional knowledge and experience memory, will perpetuate the transfer of cultural heritage. Ahmet Ay, a woodworker and kündekâri craftsman living in Kırşehir, is a traditional connoisseur who has been practicing his art for 40 years. The aim of the study is to record the information provided by the wood and lectern craftsman Ahmet Ay, who was given the title of State Artist of Traditional Handicrafts by the Ministry of Cultureand Tourism in the province of Kırşehir, which is accepted as the organizational hub for the Ahi, and to come up with recommendations for the preservation and transfer of this profession, which has sunk into oblivion. Ahmet Ay's nomination for inclusion in the inventory of "Living Human Treasure" in 2023 is still pending.
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    Construction of The Culture in Turkish Television Advertisements
    Betül Çanakpınar
    EPISTÉMÈ 2023;29:109-124.   Published online June 30, 2023
    DOI: https://doi.org/10.38119/cacs.2023.29.5
    Communication provides an understanding of the culture of a society and the symbols, values, and norms within that culture. It is aimed to persuade the target audience by making use of cultural signs in advertisements, which are one of the communication methods. Therefore, the cultural codes of the society in which individuals live are placed in advertisements. While advertisements are influenced by culture, they also influence culture. Advertisements can reflect the cultural characteristics of the society as well as their power to influence and direct societies. In this sense, as advertisements are mirrors of society, they should reflect the culture accurately in order to be successful. Based on the idea that advertising is a cultural sign, in this study, the way culture is presented in advertisements is examined. For this purpose, how the cultural values and norms of Turkish society are presented in advertisements and how they are placed in advertisement texts are emphasized. In this context, ‘Kent Advertisement of Bairam’, which emphasizes the values of Turkish society, was selected and examined. It was emphasized which cultural elements were included in this commercial, and how these elements and characters were positioned. In the advertisement, which was analyzed with the method of cultural semiotics, it was seen that the cultural elements were presented successfully and the characters in the advertisement were positioned in accordance with Turkish culture.
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    Article

    Search for Aesthetics and Meaning in Yusuf Has Hacib’s Kutadgu Bilig
    Murat Kalelioglu
    EPISTÉMÈ 2024;31:17-36.   Published online September 30, 2024
    DOI: https://doi.org/10.38119/cacs.2024.31.2
    In addition to historical consciousness, ‘culture’ is another area where important foundations are laid between the past, the present, and the future, which is transmitted across generations and plays an important role in the construction of social identity. In general terms, ‘culture’ is a special social space that each society constructs within itself and a system of values produced within this space. The field where this system of values is established is the social field. The most important characteristic of this field is that people belonging to a certain land, flag, identity, thought, and environment have learned to live and produce together. One of the most important contributions of such learning is the construction of cultural identity, that is, social memory. Today, when we think of the term ‘culture,’ we think of all the material and spiritual values of a nation, including both written and unwritten works. For instance, Kutadgu Bilig is one of the significant works that has made critical contributions to the development of Turkish literature and cultural heritage. It is highly critical regarding language, meaning, and aesthetics and is a worthy reference artwork in terms of learning about Turkish culture, lifestyle, and thought. Accordingly, this study attempts to interpret Yusuf Has Hacib’s work of art and the essential ideas in his masterpiece within the aesthetic value and meaning framework.
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    Definition of Turkish Family Structure and Kinship Networks (A Sociolinguistic Approach)
    Züleyha Hande Akata
    EPISTÉMÈ 2023;29:3-29.   Published online June 30, 2023
    DOI: https://doi.org/10.38119/cacs.2023.29.1
    The Turkish family structure is the most basic and smallest social sign of Turkish society. Within the network of relationships that starts in the nuclear family and constitutes the larger structure of society, family, and kinship networks allow inferences to be made about the society as a whole. The development of family and kinship networks in Turkish society is also reflected in the linguistic vocabulary. There are many words that define these relationships. The vocabulary constitutes concrete signs of family relations in social life on the basis of the language-society relationship. Words, which are the most concrete signs of language, have taken on an important function in the creation and transmission of the perception that is the source of the Turkish family structure. In determining and analyzing this perception, it is also possible to make a reverse reading through these words. The subject of this study is how the vocabulary and definitions related to the family structure and kinship networks of Turkish society can be interpreted from a sociolinguistic perspective. The sample of the study consists of the vocabulary and definitions of kinship networks in the Güncel Türkçe Sözlük [The Current Turkish Dictionary], which is the standard dictionary of Türkiye Turkish. On the basis of this vocabulary, indicating kinship networks, the Turkish family structure has been first be revealed at a scriptural level. Then, the semantic values of the vocabulary indicating kinship networks according to family structure, gender, generation and age, blood and marriage, types of language, and language contacts have been determined. The social roles attributed to the individual according to this signification have been evaluated by taking into account the theories and methods of sociolinguistics. The aim of this study is to define the Turkish family structure and to analyze the perception of family in Turkish society by considering language-society relations.
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    Children's drawings are one of the most important productive actions that enable the child to establish relationships with his environment and the outside world. Each picture drawn contains a piece of the child himself. Because he tries to express his inner world, his way of thinking, his relationship with his environment, and any problems he has; through his paintings. Therefore, due to their iconic qualities, they have a semiotic function and enable the child to be recognized and understood by those around him. As a means of communication or a sign that mediates communication, children's drawings also have aesthetic properties. Aesthetic appreciation in children's drawings transcends traditional norms. It's not about technical proficiency but about the purity of expression. A child's artwork often exudes a raw authenticity, unburdened by societal conventions, which resonates deeply with viewers. In this study, we would like to consider the importance of drawing, which is one of the semiotic function areas of communication in children, the aesthetic aspects of drawings, and how children communicate through drawing.
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    A New Genre of Online Memes: A Semiotic Analysis of the Harry Potter-Balenciaga Meme
    Haram Park
    EPISTÉMÈ 2024;31:169-194.   Published online September 30, 2024
    DOI: https://doi.org/10.38119/cacs.2024.31.9
    This study analyzed the Harry Potter-Balenciaga meme to explore the impact of new memes generated by Generative Al technology on online meme culture. The concept of memes, introduced by Richard Dawkins in ''The Selfish Gene” as units of cultural information, has evolved into contemporary internet memes, becoming a significant element of online culture. The Harry Potter-Balenciaga video, created using Al technology in 2023, garnered significant attention as an innovative online meme, demonstrating an epistemological expansion in the realm of online memes. It transcended the limitations of traditional meme creation by realizing abstract ideas, leading to the emergence of a new meme genre, the 'Idea Meme.' This study captured this phenomenon by considering the Harry Potter-Balenciaga meme as a new genre. It discussed the meme as an Idea-Realizing Meme, based on Shifman's (2016) traditional meme classification, through semiotic analysis of the images and text. By analyzing the three dimensions(content, form, and stance) of the Harry Potter- Balenciaga meme from a semiotic perspective, the study explained how AI-generated memes overcome the limitations of traditional memes and expand communicative and epistemological possibilities. This research aimed to shed light on the impact of the fusion of Al technology and online digital culture on cultural life and contribute to digital culture studies and online communication research.
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    International questions in the Far East in the aftermath of the Sino-Japanese War
    민경현
    EPISTÉMÈ 2023;30:95-110.   Published online December 31, 2023
    DOI: https://doi.org/10.38119/cacs.2023.30.6
    En Extrême-Orient l’ancien système disparaît dans l’histoire des relations internationales pendant la période 1895-1899 après la guere sino-japonaise, où la tradition asiatique se transforme considérablement par la suite de la modernisation européenne. En principe, c’est par la guerre sino-japonaise que le système traditionnel interétatique de l’Asie orientale se met à céder complètement la place au système moderne international de l’Occident. Les puissances européennes trouvent dès lors un concurrent inattendu, le Japon qui vient de sonner l’heure du partage de l’Asie orientale. Le Japon victorieux est considéré comme une grande puissance en Asie. Il est destiné à jouer un rôle important dans la politique internationale en Extrême-Orient. L’effet immédiat de sa victoire est que la Chine doit conclure un traité inégal avec lui et que les puissances continuent à consentir l’abolition des traités inégaux qu’elles lui ont auparavant imposés. L’indemnité de guerre que doit payer la Chine permettra au Japon de rééquiper et développer son armement et son industrie, et finalement d’établir le système d’étalon-or. Cependant, devenu le concurrent des puissances, le japon se voit privé d’une partie des résultats acquis par ses victoires, c’est-à-dire la possession de la presqu’île de Liaodong, à la suite de l’intervention des trois puissances. La Chine entre dans une période de graves épreves, parce que les puissances entendent bien profiter de ses embarras. Au lendemain de la guerre sino-japonaise, le monde sino-centrique est fini, ainsi que le règime propre coréen. Les grandes puissances occidentales exploitent la faiblesse des pays de l’Asie et réalisent plus particuliérement de vastes programmes d’expansion en Extrême-Orient.
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    This study explores how advanced learners of Korean shape the language landscape by investigating the use of ‘-(u)lkka’ in chat conversations. The study found that advanced learners of Korean use ‘-(u)lkka’ for three different types of confirmation or suggestion on mobile platforms: 1) yes/no confirmation of previously shared information; 2) wh-confirmation, confirming new information and the interlocutor's intentions; and 3) performative suggestions, proposing ideas for buying or selling items, confirming the interlocutor's intentions on the surface level, while implying the speakers’ performativity on a deeper level. Interestingly, when multiple instances of ‘-(u)lkka’ occur in a single chat conversation, different confirmation strategies are employed, indicating contextual adaptation rather than a fixed approach. These findings reveal the dynamic transformation of the Korean language landscape, focusing on its adaptation to digital platforms and the evolving roles of language agents. Notably, conventional linguistic expressions are shifting towards mobile platforms, expanding the spectrum of language agents to include both language learners and native speakers. This shift empowers learners, enabling them to assume an active role as language agents, no longer dependent solely on native speakers. The study also recognizes the growing significance of artificial intelligence (AI) in contemporary language communication. The findings can contribute to enhancing AI systems and fostering more sophisticated human–AI interactions.
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    The aim of this article is to construct a semiotic problematic of climate change in an anthropocene context. The composition is structured as follows. In the first section we propose a synthesis of semiotic perspectives on the Anthropocene from the fields of biosemiotics, ecosemiotics and anthroposemiotics. In the second section, two ontological-epistemological questions are posed with a view to anthropocene semiotics: agentivity and hybridity. In the third section, the three semiotic dimensions of climate change are highlighted: narrativity, temporality, and semiotic gradients. In the fourth section, we attempt to provide a grammatological perspective on weather and climate. The paper concludes with an in-depth study of the geopolitical dimension of climate change within a framework of political semiotics.
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    Some Epistemological Remarks on the Transdisciplinarity of Semiotics
    김성도
    EPISTÉMÈ 2023;29:323-356.   Published online June 30, 2023
    DOI: https://doi.org/10.38119/cacs.2023.29.15
    Semiotics is a transdisciplinary project by its very nature and from its very beginning. I will not, however, enter into a detailed discussion of the very subtle questions concerning the concept of transdisciplinarity, which should be posed in ontological-epistemological and methodological terms. In this article, however, I will attempt to evoke the positions or postures of contemporary semioticians who have devoted themselves to the development of the theoretical foundations of this science of meaning and communication, i.e., semiotics. Indeed, the central purpose of this work is to demonstrate the transdisciplinary nature of contemporary semiotics in three stages. First, I will demonstrate the status of semiotics as a transdisciplinary project by exploring the positions of some representative semioticians on the transdisciplinary nature of this discipline. Secondly, I would like to present a selection of my collective and individual projects and works, carried out over the last two decades, which can prove the transdisciplinarity of semiotics. I would say that I have accomplished a certain transdisciplinarity thanks to the semiotic spirit without knowing it, like Mr. Jourdan. Thirdly, with a view to creating new research programs in the sense of Latatos (Latatos, 1978), or exploring new fields in the sense of Kant (Kant, 1995), I would like to consider an epistemological renewal of semiotics by laying the groundwork for the five axes: spatiality, agentivity, temporality, narrativity, and sociality. It goes without saying that these axes are intimately connected. Three major events such as the Anthropocene, the Covid-19 pandemic, and artificial intelligence, have inspired me to reconceptualize the epistemological foundations of the semiotics of the future.
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    Nowruz Tradition in Kyrgyz Culture
    Sibel Barcın
    EPISTÉMÈ 2023;29:285-298.   Published online June 30, 2023
    DOI: https://doi.org/10.38119/cacs.2023.29.13
    Nowruz, which is widely celebrated in Turkish communities on March 21 every year, is considered as the beginning of the new year and spring in ancient calendars. The aim of this study in this context is to give information about how the Nowruz tradition is kept alive in Kyrgyz culture. The study group consists of 29 B1-level students who are learning Turkish at Kyrgyz-Turkish Manas University in Kyrgyzstan. It is important to communicate with the target audience based on cultural similarities and traditions in teaching Turkish. In this direction, the data in the study were obtained by having students write about Nowruz and were examined by content analysis. Within the scope of the data obtained, it was determined that various games are played on Nowruz, national dishes are prepared, juniper is burned to ward off evil, “sümölök”, which is unique to Nowruz, is cooked, and people visit each other. As a result of the research, based on the student sentences, it was determined that Nowruz brings people together sociologically and that the sense of unity and social solidarity among the people is maintained by cooking “sümölök”.
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    Portrait of the Nurse: Kerime Salahor
    Füsun Deniz Özden
    EPISTÉMÈ 2024;31:83-108.   Published online September 30, 2024
    DOI: https://doi.org/10.38119/cacs.2024.31.5
    Women were peace-loving and avoided war unless necessary. Throughout history, women's roles in war have been based on serving in the background, such as nursing duties. In peace as in war, goodness and healing were provided through nurses. Florence Nightingale, who worked as a nurse during the Crimean War, is known for her contributions to the nursing profession and the institutionalization of the profession in the Ottoman Empire. Nurses contributed to patient care for Muslim Turkish soldiers, starting from the Balkan War in 1912, and during the Gallipoli War and World War I. Among these pioneer women was Kerime Salahor. Many portraits and busts of Kerime Salahor were made; The most striking among these is the portrait made by Feyhaman Duran. It reflects his female sensibility of the artist, who carries the spirit of Art Nouveau as well as his impressionist palette. Nazli Ecevit also made a portrait of Kerime Salahor. Sculptors Yervant Osgan and Ihsan Özsoy made a bust of Kerime Salahor. We can also trace the history of Turkish Nursing based on Kerime Salahor's painting and bust. This gradually turns into an effort to understand what women do and experience regarding healing and care, not only in Turkey, but also in the rings of the chain of human history, starting from the earliest times of history via Peircian semiotics. In this article, we evaluate portraits and busts of Kerime Salahor, a symbol of women providing care in wartime in the context of history of nursing, gender, and portraiture.
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    The Turkish language, like many other languages, has been influenced by foreign vocabulary throughout its history. The adoption of foreign vocabulary in the Turkish language has had a significant impact on its culture. The incorporation of words from other languages, especially Arabic, Persian and French, has enriched the Turkish language and expanded its vocabulary. This allowed for greater precision and nuance in communication and also helped preserve the cultural heritage of these other languages in Türkiye. Moreover, the adoption of foreign words has also been a reflection of the cultural exchange and influence that has occurred throughout Türkiye’s history. However, it should be noted that it also has a negative impact on the language. This article aims to examine the positive and negative impacts of foreign vocabulary, especially French which has been adopted in the Turkish language on its culture. The study will focus on the historical context in which the words were adopted, the origins of the words and their current usage in the Turkish language. The study will also examine the cultural significance of these words and how they influenced Turkish culture. Additionally, the article will explore the role of language in the formation of cultural identity and how the incorporation of foreign vocabulary into the Turkish language has affected the formation of Turkish identity. The study will use a combination of historical and linguistic analysis to gain a comprehensive understanding of the subject.
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    Toward an Hybrid internal communication, organizational and learning
    Frederic Ely
    EPISTÉMÈ 2023;30:45-64.   Published online December 31, 2023
    DOI: https://doi.org/10.38119/cacs.2023.30.3
    The central issue of this research is to question the notion of hybridity through the activity and internal communication methods of the Director of Internal Communication in the company, in front of those of the organizational communication teacher. We observe in this sense the results of an experiment, over three consecutive years, of a transposition, in the context of university education, of the uses of an internal communication model initially applied and studied in company. This experiment leads us to the conclusion of a transferability, from one world to another, of the model studied, which, although partial, allows us to propose the observation and the definition, as future research paths, a form of hybridity of internal communication that we call Hybrid Internal Communication.
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    Traces of Aesthetics in Sabahattin Ali's Narratives
    Hilal Yurtseven
    EPISTÉMÈ 2024;31:151-168.   Published online September 30, 2024
    DOI: https://doi.org/10.38119/cacs.2024.31.8
    Human beings are naturally inclined towards beauty in terms of taste and senses. This situation has led people to try to evince beauty through their artistic creations. In this context, each community has aesthetic values and elements that are unique to its own culture to understand or reveal beauty. Depending on culture, the aesthetic understanding of each community, nation, or civilization also differs because all the values, beliefs, and traditions inherited from the ancestors can be considered the source of the aesthetics of that society. According to Günay, “culture is a complex structure that encompasses religious beliefs, art, everything that people make, produce, create, learn, and teach” (Günay, 2016, p. 54). It can also be said that the concepts of aesthetics and literature also constitute one of the sub-systems of culture because both concepts appear as a result of human artistic production. Therefore, a work of literature is considered a work of art and has an artistic value in terms of aesthetics. “Like every work of art, a work of literature reveals itself with its aesthetics and intellectual load” (Timuqin, 2013, p. 16). Accordingly, in Turkish literature as a production of Turkish culture, it is possible to see aesthetic elements pertaining to the values of the society in terms of worldview or societal structure in particular times of Turkish history. That is why some concepts such as sublimity, grotesque, tragic, understanding of comic and beauty, etc. also constitute the aesthetic perception of Turkish literature. Hence, this study aims to trace some patterns and motives in Sabahattin Ali's selected narratives within the book titled “Yeni Dünya” [New World] in terms of aesthetics. Selective narratives will be examined from various aesthetic aspects to gain an understanding of the reflection of artistic qualities and to reflect the social perception of the period. Through close reading and examination of Sabahattin Ali's narratives, it will be tried to explore how some aesthetic concepts, elements, or patterns contribute to the overall aesthetic experience of the narratives.
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    This study analyzed The Curious Case of Benjamin Button by integrating corporeal narratology with Greimas’s semiotic square, examining how temporality and identity are constructed and deconstructed through the body. Benjamin’s body serves as a semiotic field where oppositions like “youth/old age” and “life/death” are generated, clash, and collapse. The semiotic square revealed how these binary structures become unsustainable and the internal disintegration of the semiotic system, highlighting both the model's utility and limitations in complex corporeal narratives. Corporeal narratology emphasized the body's role as an active agent that embodies and enacts the collapse of meaning, contributing to the disintegration of narrative structure. Ultimately, the analysis demonstrated that body, time, and identity are core semiotic forces that uphold and undo narrative structures.
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    In the Garden of Ottoman Poetry: Spatial Design and Perception in Ottoman Poetry
    Bünyamin Tetik
    EPISTÉMÈ 2023;29:233-256.   Published online June 30, 2023
    DOI: https://doi.org/10.38119/cacs.2023.29.11
    Space and time are existential phenomena that constitute the two fundamental planes of existence. The fact that the notion of space is met with the word "mekân", which derives from the root of “kevn” (existence) in Turkish, indicates an important link between space and existence in Ottoman culture. The relationship between space and human beings is twofold. While humans transform the space they live in, space shapes human life. Spaces produced, inherited, or naturally inhabited by humans acquire a semantic field within culture. Therefore, a place may have cultural codes that may seem foreign to outsiders. For the Ottoman culture, which today has no living members and has limited data in terms of social history, these cultural codes can be analyzed by examining literary texts. The perception of space is influenced by and reflects the philosophical and religious background of the culture. In Ottoman culture, existence is not seen as a value. The idea of wahdat/unity, which everything reflects the divine being, is widespread. Accordingly, space acquires an important symbolic indicator function. Every element in the garden has a symbolic meaning. For example, gardens are seen as a copy of "cennet" (paradise), which means a hidden/protected garden and the rose signifies Muhammad, and the tulip signifies the unity of God. The garden also reflects the aesthetic perception of Ottoman culture. A beautiful Ottoman individual is a garden in its entirety, as every part of it resembles a plant. Unorganized wilderness or dilapidated buildings in disrepair are unaesthetic. This situation can be read as indicators of the Ottoman civil-city (medeni-medine) relationship and the patronage relations of Ottoman poetry. Finally, the garden can also mirror social relationships through the personification of plants.
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    Du concept au circept : plaidoyer en faveur d’un outil de cartographie sémiologique
    Emmanuel Carre
    EPISTÉMÈ 2024;32:1-26.   Published online December 31, 2024
    DOI: https://doi.org/10.38119/cacs.2024.32.1
    This article offers an epistemological reflection on the representation of concepts through the "circept" tool, an innovative semiological mapping approach. After tracing the historical evolution of the concept notion in Western thought and exploring various attempts at visual representations of thinking, the study presents the circept as an original synthesis between creativity techniques and structural analysis. This method, which organizes the dimensions of a concept according to a circular structure, overcomes the limitations of traditional binary approaches while preserving the complexity of semantic relationships. Through several case studies, the article demonstrates the relevance of the circept as a heuristic tool for conceptual exploration, opening new perspectives for research in humanities and social sciences.
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    Atmosphere as language: Deconstructing the staging in fashion photography
    Beatriz Guerrero González-Valerio
    EPISTÉMÈ 2025;35:3.   Published online September 30, 2025
    DOI: https://doi.org/10.38119/cacs.2025.35.3
    Fashion photography, given its communicative function and rhetorical intentionality, constitutes the ideal vehicle for the transmission and externalization of emerging stylistic trends. The creations go beyond simple garment representation, enriching and enhancing them through visual, narrative and symbolic mechanisms. The objective of this article is to analyse the role of atmosphere and staging as crucial elements in fashion photography during the 20th century. Through a qualitative approach that combines bibliographic review and visual analysis of works by A. De Meyer, I. Penn and D. Turbeville, the evolution of atmospheric strategies from the 1920s to the 1970s is examined. It is concluded that atmosphere not only defines visual narrative but generates different emotional typologies ranging from the romantic and sophisticated to the minimalist and intimist.
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    Proper Nouns as Cultural Values in Turkish Proverbs and Idioms
    Bilgen Erişkin
    EPISTÉMÈ 2023;29:209-232.   Published online June 30, 2023
    DOI: https://doi.org/10.38119/cacs.2023.29.10
    Language and language-specific structures, words, and idioms used by a society are an integral part of its culture. They reflect the cultural values of the society, and play an essential role in the transfer of these values to future generations. Quotations, idioms, and proverbs in a language are particularly decisive in this regard, and are the subject of many studies, both linguistic and cultural. Proverbs and idioms, in particular, are of great interest to scholars studying culture and language. In this study, we focused on the role of proper names in proverbs and idioms, and their importance in cultural transmission. We examined the meanings and significance of these special names in various proverbs and idioms, and attempted to determine their underlying meanings. Through a scanning method, we identified the names of people and places used in proverbs and idioms, and analyzed the proverbs and idioms in which they appeared. We also provided the meanings of these names in the sources, and discussed their significance in the context of the proverb or idiom. Although the number of proverbs and idioms with proper names is quite high, it is been limited in this study to those in which the same proper name was repeated multiple times. By focusing on these, we were able to gain a deeper understanding of the signs and meanings of these proper names, and their role in cultural transmission. In conclusion, this study sheds light on the importance of proverbs, idioms, and proper names in cultural studies, and highlights the need for further research in this area.
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    Reflections Of Aesthetics In Turkish Television Advertisements
    Betül Qanakpmar
    EPISTÉMÈ 2024;31:133-150.   Published online September 30, 2024
    DOI: https://doi.org/10.38119/cacs.2024.31.7
    If we think about aesthetics, we see that there are many definitions and interpretations. With the most well-known definition, there are still comments on aesthetics, which is known as beautiful, useful, and pleasing, and this is normal. Since aesthetics is a pleasant field of study, it opens vast doors for those interested in it. Aesthetic understanding can offer different perspectives according to societies. Aesthetics offers an artistic point of view and awakens emotions by appealing to human beings. Straying from its known purpose and definition, we now see that aesthetics is used in advertisements to make products more attractive by affecting human consciousness. Before showing purchasing behaviour, the buyer looks at whether the product appeals to his/her lifestyle, identity and status as well as appealing to his/her needs and buys or does not buy the product according to these features. For this reason, aesthetic concerns come into play for marketers. As it is known, television commercials are one of the types of advertisements that mobilise the emotions of the audience the most. From this point of view, the use of aesthetics in Turkish television commercials is discussed in this study. Firstly, a general framework of aesthetics is drawn and then the relationship between advertising and aesthetics is emphasised. The study endeavours to understand the appearance, construction and positioning of aesthetics in Turkish television commercials. For this purpose, at the end of the study, the aesthetic appearance of an advertisement film selected by random sampling method is presented.
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    The information and communication sciences (ICS) have a paradoxical relationship with semiotics. Both a logical and undoubtedly necessary tool, semiotics, as it is currently used in France, is at odds with the issues and epistemology of ICS. This article explores the aporetic dimension of current interactions between CIS and a certain kind of semiotics, and concludes that CIS needs to be refocused on a communicative approach based on the communicative subject, from a resolutely pragmatic perspective.
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    Stylistic aesthetics of discourses in cinema interpretations of the Iliad
    Mustafa Sarica, Yagmur Beyzanur Kirag
    EPISTÉMÈ 2024;31:39-58.   Published online September 30, 2024
    DOI: https://doi.org/10.38119/cacs.2024.31.3
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    Korean society is one of the rare nations that brings tradition and the future together. They used the power of development to interpret tradition. While examining the past and presenting it to today's society with various tools, they also reflected the observations and perceptions of other societies with which the Korean people interacted. Recently, the interest and success of Korean cinema in historical subjects has attracted attention. It is observed that in these films, depending on the periods, various Turkish origin tribes and lineages are mentioned, they are processed in many ways, evaluated in terms of society, origin and life, and presented to today's audience. The event takes place in and around a village where the Turkish-origin Jurcen live in the border region. The border divided the Cürcan villages into two. The protagonist of the movie is a little girl living in a Curcan village ruled by the Korean Joseson dynasty. He often crosses the forbidden border region in search of ginseng, the "miracle herb said to resurrect the dead," so that his sick mother can be healed. The Jurceans mentioned in this film are a community whose origins are disputed, but whose Altaic language is undoubted. It is based on the revenge of a girl whose village was raided and all her relatives were killed. However, this historical event is supported by another side event that can be seen as fantastic today and the subject is enriched. In this article, a few basic films of Korean cinema were taken under scrutiny and the way of life of Turkish tribes in these films, how they were handled and how they were shown, especially through the example of "Ashin of North". Historical reality, fictional presentation, the harmony or incompatibility of these two, the perception of historical Turkish societies formed through Korean cinema constitute our analysis.
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    The Aesthetics of Daily Spoken Language of Turkish
    Züleyha Hande Akata
    EPISTÉMÈ 2024;31:109-132.   Published online September 30, 2024
    DOI: https://doi.org/10.38119/cacs.2024.31.6
    Aesthetics has been the subject of different fields from the past to the present and has been evaluated through various approaches. There are different definitions of aesthetics, but the common aspect is its association with beauty and the senses. Despite its close relationship with fields such as philosophy and art history, everyday aesthetics has developed in a different direction from these fields today, focusing on the ordinary aspects of daily life. Everyday aesthetics reveals the aesthetic value of ordinary and commonplace phenomena. Daily spoken language is such a phenomenon. Before the emergence of everyday aesthetics, studies on aesthetics mostly focused on the literary aspects of language. For example, Turkish is one of the languages in which such studies exist. There are many studies aimed at revealing the aesthetic value of Turkish, whose earliest written products we have started to see since the 7th century. The main focus of these studies is on written language and literary works thought to reflect the aesthetic value of written language. Other studies on the aesthetic dimension of language have also concentrated on written language. However, the daily spoken language of Turkish has not been included in these aesthetic studies. One of the areas where the real richness of Turkish discourse and its aesthetic value are revealed is spoken language. This study aims to provide an opportunity to make inferences about the aesthetic value of the daily spoken language of Türkiye Turkish through the concept of everyday aesthetics. The sample of the study has consisted of the most frequently used formulaic expressions in daily language. The spoken language has been analyzed in terms of everyday aesthetics by considering the functions of these formulaic expressions. While analyzing the formulaic expressions, the evaluation criteria of everyday aesthetics have been taken into consideration, and efforts were made to reveal their aesthetic value based on their alignment with these criteria and their functions in daily life. This study highlights that aesthetics extends beyond the formal and literary domains of language. It illustrates that everyday language usage can also be associated with sub-fields of aesthetics based on various criteria, in addition to the more traditional areas such as formal and literary language. The primary objective of this study is to uncover the aesthetic value inherent in the Turkish spoken language, addressing a gap in this area, and to introduce the concept of everyday aesthetics to the Turkish academic literature within the realm of linguistic performance.
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    An Overview on the Determinants of Classical Turkish Literature Aesthetics
    Yakup Yeşilyaprak
    EPISTÉMÈ 2023;29:125-142.   Published online June 30, 2023
    DOI: https://doi.org/10.38119/cacs.2023.29.6
    The aesthetics of classical Turkish literature is influenced by a quite rich background. The period of classical Turkish literature covers a period of approximately six centuries in the history of Turkish literature. However, the factors shaping its aesthetics date back much further. The determinants of this aesthetics can be traced back to Sumerian, Babylonian and ancient Indian, Iranian, Greek and Arabic thought. It also bears significant traces of the Roman and Byzantine periods. These traces are generally mythological, theological, philosophical and mystical. In addition to these traces, it is possible to argue that various religions and beliefs, especially Islam, have influenced the aesthetics significantly. Moreover, some ontological, epistemological, psychological and moral theories are among the determinants. Phenomena such as music, plays, rituals, daily life practices and political developments are among the other factors that influence the aesthetics of classical Turkish literature. This study attempts to provide an overview of the determinants of the aesthetics of classical Turkish literature and how they have been transformed into aesthetic expression. By doing so, the study aims to provide a better understanding and recognition of the aesthetics of classical Turkish literature. The main question to be answered in the study is “What kind of perception of art and beauty do the texts of classical Turkish literature have and how is this perception shaped?”. This question will be answered through some examples from the texts of classical Turkish literature. The examples are selected from those that can be used to make general judgments about the aesthetics of classical Turkish literature.
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    Place in Narrative: Hababam Class Series (1975-1981)
    Ezgi İnal
    EPISTÉMÈ 2023;29:143-160.   Published online June 30, 2023
    DOI: https://doi.org/10.38119/cacs.2023.29.7
    The first and original series of Hababam Class films are important productions that humorously introduce Turkish culture and the young generation of the young Türkiye of that period, their problems, expectations, perceptions of life, positive and negative aspects. The films adapted from Rıfat Ilgaz's book series Hababam Class were released as six films between 1975 and 1981, followed by five films between 2004 and 2021. In this study, the first series of six films between 1975-1981 will be analyzed in terms of the relationship between place and narrative. The place, which gains meaning with the presence of facts, events and characters, and its framework in the narrative, is also able to directly affect the series of events in the film. It has not been overlooked that the interior and exterior of the Hababam Class films, regarded as cult series in Turkish cinema history, are a special dramatic element that influences the plot, tension and emotions of the characters, and that connection between the spatial frame and the narrative has been intuited by the audience in every film. Therefore, the representation of the places in the film and their indicators of the time-memory relationship express both the real and the fictional in the narrative through a series of connections. In this study, based on Umberto Eco's view that "the perception of place is directly dependent on cultural codes", a semiotic analysis of the places in the Hababam Class movies has been made based on Barthes' principles of plain meaning and connotation. It has been determined that the place indicators in these films take place as an important element in the narrative.
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