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Search for Aesthetics and Meaning in Yusuf Has Hacib’s Kutadgu Bilig

Murat Kaleliogluorcid
EPISTÉMÈ 2024;31:17-36.
Mardin Artuklu University, Faculty of Letters, Translation and Interpreting Department, Mardin, Türkiye
Corresponding author:  Murat Kalelioglu,
Email: kalelioglu.murat@gmail.com
Received: 2 May 2024   • Revised: 23 May 2024   • Accepted: 9 June 2024
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In addition to historical consciousness, ‘culture’ is another area where important foundations are laid between the past, the present, and the future, which is transmitted across generations and plays an important role in the construction of social identity. In general terms, ‘culture’ is a special social space that each society constructs within itself and a system of values produced within this space. The field where this system of values is established is the social field. The most important characteristic of this field is that people belonging to a certain land, flag, identity, thought, and environment have learned to live and produce together. One of the most important contributions of such learning is the construction of cultural identity, that is, social memory. Today, when we think of the term ‘culture,’ we think of all the material and spiritual values of a nation, including both written and unwritten works. For instance, Kutadgu Bilig is one of the significant works that has made critical contributions to the development of Turkish literature and cultural heritage. It is highly critical regarding language, meaning, and aesthetics and is a worthy reference artwork in terms of learning about Turkish culture, lifestyle, and thought. Accordingly, this study attempts to interpret Yusuf Has Hacib’s work of art and the essential ideas in his masterpiece within the aesthetic value and meaning framework.

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