This article offers an initial sketch of a model, semio-pragmaticism, whose ambition is to enable communication studies to be (re)founded on a common paradigmatically pragmatic and operationally semiotic foundation. Beginning with a review of various currents of thought in CIS and related disciplines that share this pragmatic concern for (re)placing the (communicational) subject at the center of the analytical approach to communication, I propose, on this basis, a fundamental synthetic model of communication conceived from and for the understanding of the communicational subject as the necessary and sufficient yardstick for the understanding of communication.
Over the past decade, social networks have become ubiquitous in our daily lives, transforming the way we interact, communicate and share information (Kaplan and Haenlein, 2010). Today a majority of French people have a sustained and regular presence on social networks. At the same time, music has always been an essential part of human culture, arousing emotions and memories, and influencing our tastes and preferences (Holbrook and Schindler, 1989). Through an in-depth review of the existing literature, we seek to understand what factors influence users' engagement with music on social networks.
Citations
Citations to this article as recorded by
Du Tempo au Big Data : la symphonie du Marketing 6.0 Samuel Mayol Question(s) de management.2023; n° 47(6): 89. CrossRef