This paper will aim to criticize the issue of contemporary-ocularcentrism by the origin of eyes and film. But I willing to analyze a few genre films which we able to see routinely. Thus this paper will arrive at the conclusion about the return to Tactile and the new paradigm of how to see the movie. Even though the conclusion brings about the repetition of existing methodology which we commonly have learned, this will have meaning of sensuously diversified new discourse. Because the hidebound thought of optical sense has to attain to integrate with the tactile validity which converges at this study of etymology on skin and film. It is very important to indicate movies which have tactile eye. Also, this is very significant mention which implies contemporary ocularcentrism is overcome by tactility. Therefore, the society of ocularcentrism above all is the object which we have to cope with. For this purpose, I have established this agenda as very first place where accommodates the special tactile movies.
